On Saturday of this lovely and extended weekend, I stepped for the first 
          time into the Bob Bullock Texas State History Museum. The museum was 
          being built just North of downtown Austin for a while now. It finally 
          opened last month. Since then, I'd been hearing nothing but good things 
          about it, more good things in fact, than I'd heard about Pearl Harbor. 
          So instead of trying to see that movie, I went to the museum.
        The 
          museum as you might have guessed from the name, is entirely devoted 
          to the history of Texas: The myths, the sacrifices and the big hair. 
          (I'm waiting for an exhibit exclusively devoted to Dallas women.) The 
          thing about Texas that you'll notice is that Texans love to talk about 
          their state. Take a look at online journals from Texas. How many of 
          us say glowing things about where we live? How many journalers who've 
          moved out of Texas tend to write about how different their new environment 
          is from their old comfy home in Texas?
        
           
             
               
                The second from the right is mine. 
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        We 
          love us some Texas.
        Which 
          is an odd phenomenon to cross an entire huge state like ours because 
          it's so geographically diverse. There's also a lot of different vibes 
          in the state. Go to Austin and you'll find a laid back, but sometimes 
          frustratingly slack city of dreamers. Go to San Antonio and you'll find 
          a huge Hispanic population and a city that feeds on tourism while it 
          nurtures a vibrant, musical cityscape. Go to Dallas and you'll be able 
          to park a rich person's car for a generous tip. Go to West Texas and 
          there might be a rope waiting for you.
        Okay, 
          so I exaggerate. I'm a Texan. I'm allowed.
        The 
          musem was interesting because it showcased, with seemingly very little 
          sense of irony, how BIG a state we are and how our sheer BIGNESS is 
          a thing of awe throughout the world. One exhibit was called 
          (okay, maybe there was a teensy bit of irony here) "It 
          ain't braggin' if it's true." Never mind that most of the world 
          might think that the only thing huge about us Texans is the size of 
          the asshole that seems to have replaced what most people call a "personality." 
          But I'll leave that to the social scientists to discuss.
        The 
          museum also takes pains to promote the cultural diversity of Texas. 
          History has been rewritten: Mexicans who were led by Santa Anna are 
          no longer evil, dirty bastards who took the Alamo from freedom-lovin' 
          pioneers. It seems the Alamo was just a big misunderstanding involving 
          lots of muskets and death. So, the Mexican army, it turns out are just 
          misunderstood bastards. And they were dirty.
        There 
          was also a groovy 20-minute interactive movie with great special effects 
          (lightning, a snake in your seat -- trust me, it was cool) and an IMAX 
          showing of a movie about caverns. I'm not sure what the underground 
          caverns being explored for organism samples in the African rain forest 
          had to do with Texas history, but we now have an IMAX theater in town 
          and I'm not going to complain about that.
        The 
          museum reinforced several truisms about Texas:
       
       
        I wish 
          I could link to it for you (can't find it in any archives), but Hank 
          Stuever, one of my favorite writers of any medium (he currently writes 
          for The Washington Post's style section), did a great piece that ran 
          in the Austin paper about the myth of Texas.
        His conclusion, 
          from having lived here for several years, is that Texans aren't really 
          in love with Texas -- they're in love with the idea of Texas, 
          a beautiful James Dean-starring vista of endless sunsets, seas of bluebonnets 
          and bursting oil fields. That this place doesn't exist (Hell, even the 
          old cowboy movies were shot in Arizona and New Mexico, making Texas 
          appear to be a southwest desert) is a foregone conclusion. But did it 
          ever exist? Where did the myth come from? What exactly is it 
          we're so proud of? 
        The state 
          museum is beautiful. Really. It's been lovingly crafted by people who 
          clearly adore the place, from the panhandle to the Rio Grande Valley. 
          The films are entertaining, the exhibits are thorough and far from boring. 
          But in the hours I spent there, I left with more questions about this 
          mythical place where I live than when I'd arrived. Texas, in its history 
          and in its excess, is still a mystery. 
        Her magnetic 
          pull is no clearer to me than when I went away for years and made my 
          inevitable return, like a lost child finding his way home.